It’s more reminiscent of Kero Kero Bonito’s earlier work, being extremely chipper and cheerful in tone. “21/04/20” is a track that’s extremely low-key and calm compared to the other two tracks on this EP. It serves very well as an introduction to the musical themes of the EP, and points toward the more inventive lyrical areas that the band ventures into later on the tracklist. There’s a specific point in the beginning of the track where Sarah Bonito’s voice is sampled and mixed into a new melody, and that leaves a lasting impact on the listener, as well as the wall of sound that the synthesizer solo creates toward the latter half of the track. The track is very upbeat, which couples with the story quite well and confers a rather mystical feeling. The track shows a distinct storytelling skill that previously hadn’t been exhibited by Kero Kero Bonito, and which most fans would probably hope shows up on later work.
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The first track, “The Princess and the Clock,” teased this EP earlier this year, telling an interesting, almost mythical story about a cursed princess trapped in a room, painting pictures and figuring out how to free herself. While it does feel a bit quick, it leaves the listener anticipating whatever release Kero Kero Bonito has coming up next. Its sound, while similar to Civilisation I, is distinctly more blissful and serene, and the lyrical content of the EP feels much more focused. Kero Kero Bonito’s newest EP, Civilisation II, is a worthy successor to their magnificent 2019 EP Civilisation I and builds upon the themes that were previously illustrated in that work. Kero Kero Bonito Civilisation II Polyvinyl